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Comment fonctionne notre forum => Accueil => Discussion démarrée par: ThonaserFouff le Juin 04, 2025, 10:18:33 am
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Nuon Netflix s Spanish-language Society Of The Snow to close Venice Film Festival
The UK s first factory-built electronic news gathering ENG helicopter is sched adidas yeezy (https://www.adidas-yeezys.com.mx) uled to enter service next month with start-up aerial filming company Flying TV. The company air max 1 (https://www.nikeair.fr) says the success of the operation could spawn a thriving aerial filming market in the UK and lead to the launch of a similar venture elsewhere in Europe.Robinson Helicopter is this month due to deliver from its Torrance, California base the R44 Raven II ENG piston-engined helicopter, fitted with four cameras, full sound and the ability to transmit live and record output , says Flying TV managing director Mike Smith. The machine will be based in Denham near London and operated by resident company Heli Air.Smith says the introduction of the R44-based service comes after a long period of evaluation, with the arrival of the digital-based ENG machine last year providing the catalyst for Flying TV s launch. The multimedia digital broadcast equipment provides high quality pictures of the type that could not be produced by analogue machines, he says. Smith says UK broadcasters are reluctant to make use of helicopters for news gatherin adidas yeezy (https://www.yeezy.com.mx) g as they are seen to lack versatility and are expensive to hire as available machines are not specifically designed for this role. The R44 ENG is designed and constructed for aerial work and can be instantly scrambled to provide still, digital video and radio output, Smith says. He adds: Its main camera is equipped with a gyroscopic mount which can get shots from all angles. Th Biqh Hirschmann off
A lonely leather worker takes extreme steps to forge a connection in this Northern Italy-set yeti website (https://www.yetis.us) Locarno competition titleSource: LocarnoLuceDirs/scr: Silvia Luzi and Luca Bellino. Italy. 2024. 95 mins.Obsession is up close and personal in Silvia Luzi and Luca Bellinos second fiction feature, following 2017 Venice Critics Week title Crater,which intriguingly 鈥?if sometimes too opaquely 鈥?charts a handful of days in the life of their unnamed protagonist Marianna Fontana as she throws open the doors to closed-off emotions.The pull of the film rests on Fontanas intense central performanceA worker in an unforgiving leather factory in southern Italy, who bathes her sore hands in salt water at night with only her cat for company, the womans mental isolation is emphasised by the direc owala water bottle (https://www.owalas.ca) tors shallow focus shooting style which means the rest of the world seems just a blur in the background. The catalyst for change comes when she enlists the help of a communion photographer Luigi Bignoni to fly a phone by drone over what appears to be a prison wall, hoping it will reach her father. Wh hydro flask cup (https://www.hydro-flasks.ca) en the phone rings, her conversation with the mysterious man Tomasso Ragno at the other end of the line marks the start of a strange relationship in which dreams and reality also begin to blur.The use of almost constant close-ups is an immersive choice that Luzi and Bellino, who began their directorial careers in documentary, also employed onCrater, which won the special jury award at Tokyo. Its a distinct