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Dir/scr. Avie Luthra. UK. 2009. 90mins.A micro-budgeted UK indie, this quirky-comedic depiction of a second-generation Asian family falling apart at the seams is a puzzling debut from Avie Luthra. Tonally at odds with itself, Mad, Sad Bad cuts some new thematic ground in the UK, but not particularly adeptly. Lined up for release at home through Soda Pictures, it may attract fans of stars Meera Syal and Nitin Ganatra, but international exposure seems limited and ancillary will be a challenge outside stanley cup (https://www.cup-stanley.de) the diaspora.Deliberately, often ponderously, quirky, Luthras film is to be lauded for avoiding obvious political traps, but neither is it anchored by any dynamic narrative thread. Parts of it impress 鈥?Syal is lovely to watch, and Ganatras segments flow easily enough 鈥?but Luthras air of studied whimsy doesnt alway stanley usa (https://www.cup-stanley.us) s come off. An opera about cheese might work as a one-liner, but Luthra pushes the camembert gag a fromage too far. Much like another recent cross-cultural misfire, the Chi stanley cup (https://www.stanleycups.ro) nese-American Dim Sum Funeral, Mad, Sad Bad kicks off with the death of the family matriarch whose siblings are in the grips of varied neuroses. Flash back several weeks , and it becomes clear that older son Hardeep Varla is a cruel, sex-crazed shrink; Rashmi Syal is a depressed spinster living at home with her domineering, vodka-swilling mother, and Atul Ganatra is a TV soap writer, living with sculptor Julia Riseborough . Atul wants to be taken seriously but isnt sure how to go a Fmmr Busan: M-Line picks up Warner Bros Korea drama Single Rider
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