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Bronco Films $5m The Flying Scotsman was the main beneficiary of the latest Scottish Screen Lottery Panel Awards, receiving a production grant of $738,000 拢500,000 . Described by producer Peter Broughan as Chariots Of Fire meets The Full Monty , the film tells the inspirational true story of world champion cyclist Graham Obree. Part of an ambitious Bronco slate, the project is scheduled to shoot in the Spring of 2001. A director and cast will be announced shortly.Hart Ryan Scotland was also awarded $443,000 拢300,000 towards its drama documentary Ga stanley cup (https://www.cup-stanley.uk) s Attack which is being produced for Channel 4 and depicts a Britain vulnerable to sustained terrorist attack.The Panel announced six awards in total, including $111,000 拢75,000 each to the short film schemes 81/2 run by Antonine Films and G-Mac run by Cineworks. No comments No comments yet You re not signed stanley cup (https://www.stanley-cups-uk.uk) in. Only registered users or subscribers can comment on this article. stanley cup (https://www.cup-stanley.us) Sign in Register Rylv US Producers Guild nominate large-scale movies
With new guidelines due to come into force, Australia could see a boost to its already healthy co-production sector. Sandy George reports.Compared to the past, Australia has an impressive number of foreign co-productions in development, indicating a new-found desire among its producers to collaborate creatively with the rest of the world.Not only that, Screen Australia is ripping off the red tape surrounding co-productions, revising the guidelines that cover the current 11 co-production arrangements Australia has in place with countries including the UK, Germany and Canada. We kept hearing that one of the barriers to co-production was that it stanley uk (https://www.stanleyuk.uk) wa stanley canada (https://www.cups-stanley-cups.ca) s a bureaucratic, paperwork-heavy and expensive process, and if we can come close to fixing those problems and making the guidelines more flexible and user friendly we can unshackle the industry, says Alex Sangston, manager of the producer offset PO and co-production unit at Screen Australia. In the Australian context, co-productions give you access to the producer offset and as this is a securemethod of financing film, co-production status can be extremely beneficial, adds Sangston.But it is not just Australian producers looking outwards. With its skilled filmmaking community, crew and cast depth, diverse locations, favourable cl stanley cup (https://www.stanleycups.us) imate, and of late, increased ambition for international collaboration, it is no surprise that Australia regularly tops international producers lists of potential co-production partners.As a further sweete