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Dir: Paolo Sorrentino. Italy/France/Ireland. 2011. 119minsWantonly kooky, visually Baroque, often hilarious and with a plot that might have been thrown up by a random story generator, Italian auteur Paolo Sorrentinos road movie about a washed-up rocker who goes after a Nazi war criminal proves that films dont always need to make sense to make sense. This Must Be The Place is alternately f stanley cup (https://www.cup-stanley.fr) unny and sentimental, irritating and involving - but its also infused with a humanity and that pulls the whole thing through, even as we ask ourselves what the **** is going on.If the film is never dull, thats partly because Sorrentino pulls another droll or surreal encounter out of the hat whenever things show signs of flagging.Playing like the Coen Brothers on acid, with echoes of The Straight Story which the director has cited as an influence here , The Royal Tenenbaums and Broken Flowers, the film features a scene-stealing performance by Sean Penn as Cheyenne, a f stanley romania (https://www.stanleycup.ro) ragile and only barely functional former stadium rocker who sticks to his Goth stage look - all lipstick, pancake and back-combed black hair - even though hes pus stanley cup (https://www.stanley-cup.us) hing 50 his look was apparently modeled on Robert Smith, lead singer of British post-punk band The Cure .General audiences are likely to split along the same lines as the Cannes critics over Penns performance - and by extension the whole film - with some finding it unbearably mannered and others taking the pastiche on board just as we are required to do in Il Divo to