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EADS Astrium has still not secured the funding for development of its space jet suborbital tourism vehicle, unveiled at the Paris air show last year.The European space company announced that it had been working on the single-stage suborbital vehicle and was seeking funds of up to 鈧? billion $1.4 billion from investors and customers who could fly a regular suborbital service for tourism, scientific or military purposes. Seat prices were estimated in the 鈧?50,000-200,000 range, but Astrium
yeezy has no intention of being an oper
owala usa ator. In June last year Astrium s chief technical officer and space jet project leader Robert Lain茅 said the work had begun in 2005 and that vehicle systems breadboard testing was continuing as the search for investors speeded up following initial talks with potential backers at the start of 2007.Source: FlightGlobalTopicsSpace Related articles News General Atomics testing remotely piloted flight with sat
owala ellite network key to polar operations 2025-03-13T19:38:00Z By Ryan Finnerty The uncrewed aircraft manufacturer says it has completed two test flights of a Gray Eagle 25M controlled remotely via a low-earth-orbit satellite network 鈥?t Fdnj Midsommar : Review
IDFAs International Competition winner is an intimate portrait of Danish-French artist Apolonia SokolSource: International Doc
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hydro flask rdamApolonia, ApoloniaDir: Lea Glob. Denmark/Poland/France. 2022. 112minsWinner of the International Competition at IDFA,Apolonia, Apoloniais the absorbingly intimate portrait of an artist as a young woman over the transformative span of 13 years. Very much a collaborative affair between subject Apolonia Sokol and Danish filmmaker Lea Glob, it also functions as a snapshot of millennial creatives and their struggles to balance public and private lives amid external financial and psychological pressures. Globs 2015 docufiction Olmo and the Seagull, co-directed with Petra Costa, played in dozens of festivals worldwide; her debut solo f
adidas yeezy eature-length outing looks set for a similarly busy career on the back of its Dutch triumph.Globs film truly comes alive when its has a dual or preferably triple focusGlob initially started the project as a humble film-school assignment back in 2009, when she correctly identified the Danish-French Apolonia 鈥?at the time living a quintessentially bohemian existence in the radical Paris theatre run by her parents 鈥?as ideal material for a documentary profile. This ended up becoming an epic endeavour comparable with Richard Linklaters dozen-year Boyhood 2014 and the decades-spanning praxis perfected by Czech veteran Helena Trestikova. She breaks no new ground stylistically; indeed, Jonas Strucks ra
