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New features by Alejandro Amenabar, Giuseppe Piccioni and Raoul Ruiz are among the 12 European co-productions supported with over Euros 4.6m by the Council of Europe s pan-European co-production fund Eurimages in its latest round of funding.Three projects - Amenabar s Spanish-French-Italian co-production Mar Adentro, Piccio
stanley cup ni s Italian-German co-production La Vita Che Vorrei and Bob Decout s Franco-Belgian-Spanish co-production Les Gens Honnetes Vivent En France - were supported with a total of Euros 1.86m in Eurimages first funding category for larger projects with commercial promise.The remaining Euros 2.8m were channelled into nine co-production projects supported in the second funding category promoting cultural diversity, including Raoul Ruiz s Le Livre A Rendre, Bela Tarr s The Man From London, Harry Cleven s Trouble, Wilhelm van de Sande Bakhyzen s Spoon and
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Source: OutnowThe Man Who Killed Don QuixoteThe Paris Court of Appeal has ruled in favour of producer Paulo Branco in the latest twist in the case over who owns the rights to UK director Terry Gilliams turbulent productionThe Man Who Killed Don Quixote, which premiered at the Cannes Film Festival in May.The appeals court judge ruled a contract drawn up and signed by Branco and Gilliam in 2016 鈥?confirming the Portuguese producers rights to Gilliams long-gestated film 鈥?remained intact.Fridays decision also demands Gilliam pay Branc
stanley kubek os Paris-based production house Alfama Films 鈧?0,000 $11,600 towards the costs of launching the appeal.For his part, Gilliam has always heldBranco did not deliver the finance he had promised for the production, thus rendering the contract null and void.The ruling is the latest twist in an 18-month battle between Branco and Gilliam over who owns the rights toThe Man Who Killed Don Quixote, during which time the producer has attempted to block its production as well as its premiere at the Cannes Film Festival in May and then its worldwide release, kicking off in France.Speaking to Screen about the ruling, Branco said he would be seeking damages with interest from all the parties who had produced and exploited the film without the con
stanley cup sent of Alfama Films. The ru
stanley cup ling means that the rights to the film belong to Alfama. Any exploitation of the film up until now has been completely illegal and without the authorisation of Alfama, said Branco. We will b
