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Ken Brecher will step down as executive director of the Sundance Institute after nearly 14 years in the job, effective April 30.Institute chair of the board Wally Weisman said Brecher had led the body through
stanley cup a period of significant growth, productivity and global impact during his tenure.I have completed my work in building an outstanding leadership team, Brecher, who will assume the role of strategic advisor for the Institute for the next two years, said. I could not be more confident that the Institute is now poised for the next phase of its innovative work in supporting independent artists. Brecher joined the Institute after Robert Redford recruited him in 1996 following a career in the arts in which he had served as a foundation president, museum director and theatre artistic director. The search for his replacement will commence shortly.The move is the latest shake-up at Sundance. In March John Cooper wasappointed festival director in the wake of Geoff Gilmores departureafte
stanley cup r 19 years to serve as Tribeca Enterprises chief creative officer.Overseeing a $26m annual operating budget, Brechers primary responsibility had been the Institutes core programmes. He played a key role in setting up the Sundance Institutes Documentary Fund and broadened the remit of the Feature Film Programme to support film-makers in the Middle East.He also restructured the Composer
stanley cup s Lab and established the Sundance Institute Film Music Programme, transformed the Playwrights Retreat into the acclai Uodq WTFilms to launch EFM sales on Generation 14Plus selection Knives And Skin (exclusive)
Dir. Phedon Papamichael. 2008. USA . 90mins.Although he is a well-regarded cinematographer Sideways, I Walk The Line , Phedon Papamichael s third foray into directing is little more than another hackneyed horror film. The visuals are assured, but Keene s screenplay relentlessly piles on the cliches. Without recognizable stars and indistinguishable from most offerings on late-night cable, From Within will have problems getting off the ground theatrically, though it could perform in ancillary. The opening sequence is enticing. A handsome young man and beautiful teen girl kis
stanley us s by the side of a lake. Suddenly he pulls out a gun and blows his brains out. His traumatised date runs back to her father s dress shop and within hours stabs herself in the neck. Within hours her father has hanged himself. This experienced DP-turned-director has created a photogenic atmosphere - but he quickly subverts it..Papamichael and Keene don t really explain the events onscreen. Instead, the viewer is left to draw the sense that the film is setting up some kind of opposit
stanley cup ion between good and evil - as if the contrast were something new rather than a basic tenet of movie narrative since the medium s inception. In the small American community of Grovetown where all of this transpires, fundamentalist Christianity and its megachurch are monolithic, not to be questioned or defied. The church s longtime pastor is not entirely unreasonable, but his hotheaded teenaged son, Dy
stanley mug lan Blatz , assumes the r
