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Ruth Greenberg 鈥?a rising screenwriter now focusing on her first feature as director 鈥?talks to filmmaker Sally El Hosaini about avoiding being pigeonholed and when its time to change a decision.Greenberg is hardly a newcomer to scriptwriting. Her post-apocalyptic, UK-set western The Competitors co-topped the Brit List in 2016, while her palaeolithic horror The Origin directed by Andrew Cumming is in post-production. But she is determined to direct her own material, having made her mark with the Film4 and BFI Network-backed 2021 short Run, and is developing her first feature, Sugar, a female-led story about boxing and domes
yeti cup tic violence.It is no surprise, then, that Greenberg arrives at the BFI Southbank brimming with questions for El Hosaini, her
hydro flask sale self a writer/director, who made an impressive feature debut in 2012 with the unconventional and emotive Hackney-set gang movie My Brother The Devil. Not least among them, why such a long wait for the 2009 Screen Star of Tomorrows second film, Net颅flix-backed, based-on-fact refugee drama The Swimmers Ruth Greenberg: You had a 10-year gap between your first film, My Brother The Devil, and The Swimmers. In this industry there are many reasons why that happens, but given My Brother The Devil w
hydrojug traveler as so successful, would you mind telling me about the gap Sally El Hosaini: I think its partly because Im a perfectionist and partly because I never want to make a film Ive seen before. If something doesnt excite me and slightly scare me, I find i
