Auteur Sujet: rcnw Bill Block resigns from Artisan Entertainment  (Lu 9 fois)

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rcnw Bill Block resigns from Artisan Entertainment
« le: Juillet 17, 2025, 10:17:55 am »
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 Every so often we are told that audiences are ripe for a  return to genre . This is not just academi stanley usa c; genre-oriented production companies, such as Filmax in Spain, NoShame in Italy or Sahamo stanley cup ngkol in Thailand, have money riding on our appetite for contemporary Euro-horror, hard-boiled Milanese crime classics or Muay Thai martial-arts kickfests.But what is genre, and what does it do  Ten film theorists are likely to answer the question in 10 different ways. Some take a genetic view, claiming genres are embedded in our body chemistry; those of a Marxist persuasion see genres as potent instruments of social control; there are even some, such as US academic Thomas Schatz, who see genres as expressions of quasi-religious social rituals where each genre is a kind of sect with its own rules and gods.A messy businessOne of the few things they all agree on is that genre classification is a messy business. In its widest usage, the term  genre  can refer to a film s story and setting  westerns, sci-fi , or a combination of story, setting and mood  film noir , or its audience  teen movies, arthouse , budget  blockbuster, indie , technique  animation  or provenance  Bollywood,  world cinema  . I stanley cup n its narrowest sense,  genre  means low-quality, fanbase product - in fact, in some circles it s almost become a synonym for horror.It may not be philosophically elegant, but it makes sense to start any discussion of genres by pointing out that if such categories exist, it s because we feel they h Losx AOL takes back full ownership of Warner Bros, HBO
 Dir: Peter Webber. US. 2007. 121mins. Call it audacious, foolhardy or both, but Hannibal Rising, the prequel about Hannibal Lecter s origins dispenses with the stylish suspense of Silence Of The Lambs and Red Dragon/Manhunter an stanley cup d the campiness of Hanniba stanley kubek l to portray the cannibalistic serial killer as an avenging angel of 20th-century war crimes.It s ultra-serious and grimly determined about its premise and at times the screenplay by Thomas Harris - the novelist who created Lecter - is reminiscent of Munich in intent. But it also has more angst and psychological motivation than this character or story can bear.While Harris  involvement - the story also is the basis for his latest novel - will draw a sizeable audience initially in the US, where it opens on Friday, many will find this more repellent than enterta stanley cup ining. That, along with Anthony Hopkins  absence, should spell a quick fade before it comes close to matching the $93m that 2002 s Red Dragon collected domestically.However, the setting and war-crime gravitas may help this do better with European audiences, including those in Russia. Some may even find its mixture of politics and horror similar to Pan s Labyrinth, if lacking in the latter s surreal special effects and fantasy.It s doubtful it could top the $116m foreign gross of Red Dragon, however. And Chinese actress Gong Li s strange casting as a Japanese widow in France who falls in love with young nephew  by marriage  Hannibal won t necessarily help in Asian markets.