Wkdq Film Movement pounces on Theory Of Obscurity
The autumn season began with a whimper at the weekend a
stanley cup sParamount s Dickie Roberts: Child Star opened top on $7m while Fox s The Order flopped in sixth place on $4.3m.The weekend after Labor
stanley cup Day is noted for its lack of sparkle. Evenso, Paramount s first chart topper since How To Lose A Guy In 10 Days in February was the lowest gross for anumber one bow since The Eye Of The Beholder took $6m in 2000.But there was more good news for Universal off the back of itshigh-grossing summer as American Wedding passed $100m in its sixth week on release.In Dickie Roberts, comedian David S
stanley cup pade plays a now-adult performer who commissionsa surrogate family to give him the childhood he never had as a workingyoungster.The film averaged $3,455 from 2,026 sites and was torn up by thecritics. Sam Weisman directed in his first outing since 2001 s What s TheWorst That Could Happen Thefilm co-stars Ashley Edner and Scott Terra.The Order starsHeath Ledger as a young priest sent to Rome to investigate the death of thehead of his secret society.Brian Helgeland reunitedwith his star of 2001 s A Knight s Tale to direct the horror-mystery, which averaged $2,182 from 1,975 venues.Mark Addy and Shannyn Sossamon also star in the film which Fox chose not toscreen to critics.Elsewhere Buena Vista s Pirates Of The Caribbean overtook The Matrix Reloaded to become the second biggest film of theyear behind Finding Nemo, staying in third and adding $5.5m for a $282m running total.Stablemate Freaky Friday fell two Irjc Generation to open new Hungarian festival
The Italian director and former actr
stanley cup ess talked to a small group of journalis
stanley cup ts in Busan about her Cannes title Misunderstood, why she no longer wants to act, and the influence of her father, horror director Dario Argento.She explained how the film, about the neglected daughter of divorced celebrities, came from a single scene in a different script. I was w
stanley cup riting another script and in that script, there was a memory about this child, a child thats been kicked out. Shes nine years old and kicked out of her fathers house and her mother cant take her. She ends up in this garden with a cat and heavy luggage. She doesnt know where to go. I met with co-writer Barbara Alberti [screenwriter of I Am Love] and gave her the script and what she found powerful was that one scene. And we started writing the script around that. Then we found the Italian producer. And through friends I found the French co-producer. And everything happened very fast after that, she said.The Italy-France co-production, which is screening in BIFFs World Cinema section, is produced by Wildside, Paradis Films and Orange Studio.Argento says she loves good movies about children or made from a childs point of view such as Truffauts 400 Blows or Comencinis Incompreso 鈥?from which her films title comes 鈥?that are the kind of movies that move me to tears even though I watched them so many times. Theres something in the point of view of children that I find sacred and I dont think its something thats explored in cinem
