Auteur Sujet: qjmo Jewson s MIA gets Japanese launch  (Lu 16 fois)

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qjmo Jewson s MIA gets Japanese launch
« le: Août 31, 2025, 05:40:56 pm »
Dowq Ealing Studios eyes Eastern European expansion
 Neil Jordan s $45m epic Borgia will shoot in Italy and Romania, the director saidin Los Angeles last week.The project, which wasoriginally configured as a $55m film to shoot in Italy and at BabelsbergStudios in Germany in 2002, was recently revitalized with Colin Farrell andScarlett Johnasson as siblings Cesare and Lucrezia Borgia.Principal photography willstart in spring, with a large set to be constructed in Bucharest where Jordanwill also shoot battle scenes. This Borgia thing is really worth doing,  said Jordan.  I am nota proselytiser for any kind of movie, but I think that Europe needs a big, dramatic,huge, emotional broad-appeal kind of story and this is it. One of the bestEuropean movies I ve seen in a long time was Downfall and when I saw it, I thought this is the kind ofmovie we should be doing. Jordan was originally sent ascript about Lucrezia Borgia i stanley cup n 1999 by Jack Rapke and Robert Zemeckis  companyImage Movers.  stanley cup  It was quite interesting but it wasn t good or something Iwanted to do, so I began to read up the history of the whole family,  heexplains.  I said, Look, I ll write a script on the whole family: on the fatherRodrigo, the Pope, Cesare, Lucrezia, so I started afresh and wrote the scriptabout how this family were destroyed by actually getting what they wanted, whatthe Papacy was and the misuse of power and religion. The project was originallyto be produced by Jordan s regular producing partner Stephen Woolley and wasset up  stanley cup as a mammoth European co-productio Kplc Metrodome strikes UK distribution deal with iTunes
 Fewer women employed in film production than in 1998.In 2013, just 16% of behind the scenes personnel  stanley italy 鈥?directors, writers, executive producers,  stanley germany producers, editors and cinematographers 鈥?were women, according to the latest annual Celluloid Ceiling report issued by the Centre for the Study of Women in Television and Film at San Diego State University.A study of the top 250 grossing films of last year revealed the lowest levels of women in film since 1998, when the first Celluloid Ceiling report was published. The film industry is in a state of gender inertia,  said Martha Lauzen, executive director of the centre. There is no evidence to suggest that womens employment has improved in key behind-the-scenes roles over the last 16 years. None of the major job types saw a rise 鈥?other than cinematographers 鈥?with only producers holding steady at 25%  the biggest category for women .Production designers and editors were the next largest percentage share for women, at 23% and 17%.The 2,938 people surveyed for the project included directors, writers, cinematographers stanley uk , exec producers, producers and editors. This year the categories were expanded to register production designers, VFX and SFX supervisors.Job role20132012Directors6%9%Writers10%15%Producers25%25%Exec producers15%17%Editors17%20%Cinematographers3%2%Production designers23%n/aSound designers4%n/aVFX supervisors5%n/aSpecial effects supervisors2%n/aSupervising sound editors9%n/aComposers2%n/aLast year, the British Film Institut