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Yemen has set free one of the al Qaeda masterminds of the USS Cole bombing in 2000 that killed 17 American sailors, a senior security official said Thursday.Jamal al-Badawi, who is wanted by the FBI, was convic
stanley cup ted in 2004 of plotting, preparing and helping carry out the USS Cole bombing and received a death sentence that was commuted to 15 years in prison.He and 22 others, mostly al Qaeda fighters, escaped from prison in 2004. But al-Badawi was granted his freedom after turning himself in 15 days ago and pledging loyalty to Yemeni President Ali Abdullah Saleh, said the official, speaking on condition of anonymity because he was not authorized to speak to the media.The official said police were told by the government to stop all previous orders concerning measures adopted against al-Badawi. Witnesses told The Associated Press that al-Badawi was receiving well-wishers at his home in the al-Buraika district in Aden. The Interior Ministry said earlier that al-Badawi voluntarily gave himself up to police, but media reports said t
stanley tumblers ribal chiefs mediated his surrender after he renounced terrorism and pledged allegiance to the Yemeni leader.Al-Badawi had escaped prison once before with nine other suspects of the attack on the Norfolk-based Cole in April 2003, but was rearrested.Al Qaeda used to have an active presence in Yemen, the ancestral home of Osama bin Laden. The group was blamed for the bombing of the Cole and the attack on a
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stanley mug e rarefied history of video art is foreign to all but a niche group of academics and art-world types. When artists first got their hands on portable video equipment in the late 60 , they made incredibly odd things. Most of those things remained in academic obscurity鈥攗ntil, of course, internet video hosting exploded. Now, the strange history of video art is at your fingertips. Flavorwire recently posted a list of 50 great works of video art and some film viewable on YouTube. Click on any of them, and you are likely to either scratch your head, roll your eyes, or just lose interest after a minute or so. The tradition of video art is one of long conceptual explorations. There is usually very little conventional drama or narrative. Expect to be bored out of your mind. Although some are really fun! Like Peter Campus experimenting with chroma-key, or William Wegman with his iconic weimaraners:
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stanley kubek verall, this is a glimpse of a vibran
stanley isolierkanne t time in art history. Video technology not to be confused with film in the 1970s was only just becoming accessible to people outside of corporations. Artists wanted to see what could be done with it, how they could adapt this tool of mass communication. Flavorwire list extends from those early years into the early 2000 , when video art had evolved and melted into genres like experimental film and installation art. Whether you love or despise this type
