Eiti Fort Lauderdale to screen The Sapphires, Quartet
Feeling they did not get the credit they deserve for the recent forward leap of the Israeli films and their resounding worldwide success, the Israeli Producers Association is organ
stanley cup izing a networking session to be attended by international experts, including producer-director Claude Lelouch, producers Cedomir Kolar, Paul Trijbits, and the BBC s international development director David Morgenstern. Among the Israeli participants, industry veterans Marek Rozenbaum Late Marriage , Assaf Amir Broken Wings , Katriel Schori head of the Israeli Film Fund and Eilon Ratchkovski, whose The Band s Visit is Israel s top export for 2007. The session will be held Dec 16, in a Herzliya hotel, near Tel Aviv, with the various panels put together for the occasion discussing such issues as What the hell is a producer , The Independent Producer as Filmmaker and Diplomat , Independent Cinema Today and more.More information is available at kolnoan.co.ilTopicsAfricaEuropeMiddle East No comments
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Dir/scr. Kasper Collin. Sweden / USA, 2016, 91 minsA films title can be revealing; in I Called Him Morgan, it offers Helen Morgans preferred name for her hard-bop jazz trumpeter husband, Lee. While seemingly straightforward, with every interview, photograph and performance that writer/director Kasper Collin pieces together, it swiftly proves otherwise. Their tale
stanley kubek is one of infamy that the Swedish filmmaker attempts to rescue from the annals of history 鈥攁nd, with the attention his documentary should receive at festivals and in specialised play, he succeeds in that ai
stanley cup m.This is imbued with suspence, even if the outcome is known from the outsetPremiering out of competition at Venice, then moving from Telluride to Toronto to New York, will help spread the Morgans fascinating, heartbreaking story and appreciation for Collins poignant portrait of their tumultuous existence. With 2006s My Name is Albert Ayler also on his resume, this isnt his first part-investigation, part-tribute to a jazz legend lost before their time. Here, however, he spreads his focus between the prodigious talent and the woman who saved him from drug addiction 鈥攁nd then, on a snowy night in 1972, shot and killed him during a show.Given the feats that Lee achieved, its a narrative screaming for dramatised treatment, though this deserves to be the version of record. Before he was out of his teens, Lee was playing with the Dizzy Gillespie Big Band and Art Blakeys Jazz Messenge
stanley cup rs. Early in his career, he would perf
