Auteur Sujet: fqde A24, Picturehouse partner for UK release of A Ghost Story  (Lu 17 fois)

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fqde A24, Picturehouse partner for UK release of A Ghost Story
« le: Juillet 11, 2025, 10:02:45 am »
Skvo Noiret to receive Cannes Festival Award
  Everybody thinks we went to New Zealand for its e stanley cup xotic locales,  says Jon Landau, producer of James Cameron s 3D sci-fi epic Avatar.  We never left the studio. We did rent stanley cup  a warehouse off-site because we needed more space, but all our filming was studio-based. Landau wanted New Zealand s talent rather than its scenery. The country is a hot-bed of creativity and many artists have adapted their skills to film-making. They can be found, in particular, at Weta Workshop, which is headed by Richard Taylor and part of Peter Jackson s empire in Wellington, at the bottom of the North Island.Since last year, film-makers can now claim back 15% of their New Zealand spend on post, providing expenditure hits $2.4m  nz$3m .Also in Wellington is Stone Street Studios, one of the country s two main studios alongside Henderson Valley near Auckland. Stone Street housed Avatar and has two purpose-built stages and four adapted warehouses.Nearby  stanley cup is effects house Weta Digital, as well as boutique post-production facility and laboratory Park Road Post. All are within walking distance of each other - helpful for the crew of Tintin once Steven Spielberg arrives to make this project alongside Jackson at Weta.John Woo is now at Park Road doing post-production on Red Cliff, which shot in China, as is Australian director Alex Proyas with the thriller Knowing which shot in Australia. This facility was built by a film-maker  Jackson  with other film-makers in mind,  Park Road general manager Aimee McCammon  Oktb Gateway founder commits $100m to Gold Circle Films
 The actor tells Jeremy Kay how his role in stoner comedy Pineapple Express informed his tense performance as a trapped rock climber in 127 HoursThe first time James Franco met Danny Boyle to discuss the role of trapped rock climber Aron Ralston in 127 Hours, the director thought he was stoned.  I was in the middle of school [ stanley cup New York Universitys Tisch School Of The Arts ] and had a ton of homework and I guess I was tired and didnt really have the time to study the script as much as I should have,  Franco says. After the reading he heard Boyle was having dinn stanley uk er with another actor.  I thought it was all over,  he says.Franco stanley cup  sent Boyle an email about what the role meant to him and was invited back to Los Angeles for another reading at 20th Century Fox. He got the part. It turned out Boyle was a fan of Franco in the stoner comedy Pineapple Express.  The way I translated that was we knew this was going to be an unusual movie and the comedic side was important to balance with the intensity. Franco met Ralston and spent hours discussing his ordeal and the self-inflicted amputation that set him free. He became one of the few to see the video footage the adventurer shot in Utahs Canyonlands while his limb was trapped beneath a boulder.  We decided this would not be a slavish imitation of Arons mannerisms,  Franco says.  We used the information to do it our way for an inside-out kind of performance. Its about making this story universal. The spring 2010 shoot was frustrating. For one