Hzgm Toppled roller coaster a Sandy tourist attraction
A nor easter that drew energy from the remnants of far-off Hurricane Wilma battered New England and the mid-Atlantic states with 20-foot waves and winds up to 70 mph Tuesday, brought some inland areas their first snow of the season and knocked out power to about 200,000 homes and businesses.The powerful nor easter reminded fishermen of the deadly P
stanley usa erfect Storm of October 1991. It s pretty nasty, said John Yard, who had rented an apartment a block from the ocean in Manasquan, N.J., three weeks ago - just in time for flooding caused by eight straight days of rain earlier this month. It s been hell with all the flooding and the water out here. It s amazing what this weather is doing. On Cape Cod, H
stanley cup arwich Harbormaster Thomas Leach recorded sustained wind of 56 mph and gust of 70 mph.The storm was reinforced by the remnants of Hurricane Wilma, which was about 400 miles southeast of Boston and speeding toward the North Atlantic after battering Florida a day earlier. It s getting some energy from Wilma, but it s its ow
stanley cup n separate system, said Alan Dunham, a meteorologist with the National Weather Service in Taunton. The nor easter is a good storm in its own right. Many commercial fishermen stayed in port, mindful of the Perfect Storm, which inspired the book and movie of the same name about a Gloucester fishing boat that disappeared when a nor easter collided with Hurricane Grace in the North Atlantic. I wouldn t want to be out there today - too dangerous, fisherman Qzft Woman who lost 3 daughters, parents in Christmas fire is now engaged
There no better playground for a photographer than a bustling, loud, dynamic city. In the documentary Everybody Street, which just dropped on Vimeo, some of New York most iconic photogs talk about the challenge and excitement of shooting everyday urban life. Directed by photographer Cheryl Dunn, Everybody
stanley cups Street interviews marquee names like Joel Meyerowitz, Elliott Erwitt, and Jill Freedman, artists who share an obsession with documenting the city landscape and people, from graffiti-covered subways to gangs in Brooklyn. Folded in to the sometimes brutally honest conversations are 16mm film clips portraying contemporary NYC in a style mirroring the gritty and diverse photography seen throughout. It a treat to watch
botella stanley such talented individuals at work, even for brief moments, as Dunn follows them around. Most of the subjects can be seen carrying Leicas or other 35mm cameras, and there even some discussion o
stanley quencher f how the tools you use can affect the pictures you take in unexpected ways. Bruce Davidson, for example, describes how a large format 4 x 5 view camera made for a completely different type of interaction with his subjects than a small rangefinder. The documentary also touches on the old digital versus film debate, with a decent mix of opinions on how the internet鈥攁long with easy access to image-making tools鈥攈as altered the photographic landscape. Some of these artists, like Joel Meyerowitz, see the potential of great genius in the