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KelleyNichols has been named vice president, distribution marketing, LatinAmerica, at Warner Bros Pictures. The postion is newly created by the studio due to the increasing complexities and importance of the Latin Americantheatrical marketplace. Basedin Burbank, Nichols will be responsible for distribution strategies, cash flowforecasts, box office tracking, print delivery and working with localterritories on the development and execution of their marketing campaigns. Shewill report to Nancy Carson, senior vice president, international distribution,Fiona Watts, senior vice president, internati
stanley cup onal marketing, and Redo Farah,senior vice president, Latin America.Nichols was previously executive director at Discovery ChannelLatin America/Iberia and before that general manager for the Warner ChannelLatin America and vice president, pay television Latin America, for Warner BrosInternational Television Distribution. Before working at Warner Bros, she wasvice president, television, at the Motion Picture Association of America forsix years. No comments No comments yet Yo
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Dirs:Thierry Demaizi猫re, Alban Teurlai. France, 2016. 110 mins.Audiences could be forgiven for thinking that Frederick Wisemans exhaustive La Danse was the only documentary th
stanley canada ey would ever need to watch about the Paris Opera Ballet. But then the charismatic, iconoclastic dancer and choreographer Benjamin Millepied known for his work on Black Swan and for marrying Natalie Portman took over as the dance director of the august institution and a new chapter commenced.
stanley cup It is electrifying viewing, and will fascinate an audience attuned to the world of dance, both in a festival and theatrical settingIf the austere, restrained approach of Wisemans film ca
stanley mug ptured the rigid, hierarchical institution before Millepied took over from outgoing director Brigitte Lefevre, Thierry Demaizi猫re and Alban Teurlais vibrant account of the run up to Millepieds first gala presentation reflects the energetic, assured, occasionally anarchic approach of the new incumbent. It is electrifying viewing, and will fascinate an audience attuned to the world of dance, both in a festival and theatrical setting. Whether or not the film will capture the attention of non-ballet fans is less certain. However, Millepieds celebrity off-stage as well as on should exert a pull. The arresting visual package on offer is also likely to work in the films favour.We meet Millepied thirty-nine days before the premiere of his first original work for the company. He is listening to the madly difficult new composition by Nico Muh
