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She s posed on the red carpet at Cannes in a flowing designer gown, at Deauville in a sleek black bustier and
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stanley termohrnek yed profiting from that celebrity; red carpets, photo shoots, book and movie deals; Wilson has this to say, her voice hardening slightly: Listen, I loved my job. If none of this had happened, I d still be overseas working, happily, right now. But that wasn t the card I was dealt. This, of course, is the now well-known story of how Plame s CIA cover was blown, leaked by B Zgya A Lightweight Cork Sofa Means You ll Never Hire a Mover Again
Michael Moorcock once referred to the huge catalog of names, places, rings and rulers in J.R.R. Tolkien fantasy texts as a pernicious confirmation of the values of a morally bankrupt middle class. He accused Tolkien work of infantilization. And he created his most famous character, Elric, as a critique of Tolkien. Top image: Stormbringer, art by Michael Whelan Over in the New Yorker, Peter Bebergal writes a great profile of Moorcock, in which Moorcock antipathy to Tolkien is explored, including how he compared Lord of the Rings to Winnie the Pooh. And how it shaped Moorcock own writing: Because Moorcock is a fiction writer, it was only fitting that he would offer a critique of Tolkien through his own work. In the nineteen-seventies, swimming in the shadows like a rem
stanley cup ora alongside Tolkien legacy, was a hero of sorts with a slightly darker nature than that of Bilbo or Gandalf. His name is Elric, a frail, drug-addicted albino and the reluctant ruler of the kingdom of Melnibon茅, where revenge and hedonism are abiding characteristics, and human beings are enslaved. The inhabitants of Melnibon茅 are not the
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