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Midnight movies. Guilty pleasures. Cult classics. We have lots of terms for films that are so bad, they ;re good. But why do we really love terrible films, sometimes more than good movies And why aren ;t all bad movies wonderfully bad January is the g
stanley cup uilty pleasure paradise. Just in the past few weeks we ;ve seen the release of Legend of Hercules and I, Frankenstein 鈥?two prime examples of the 8220
stanley cup quencher o bad it good movie. Past Januarys brought us the splendors of Hansel and Gretel, Witch Hunters, Season of the Witch, and Legion. What all of these movies have in common is a certain amount of I
stanley taza can ;t believe they went there, combined with a mostly non-ironic insanity of the performances and dialogue. Cheesy visual effects, logic-defying plots, flubbed story beats, mad set pieces. A really great bad movie makes you fall out of your seat laughing and cheering for the awfulness. But just last month, we witnessed the release of 47 Ronin, which was a perfect example of a movie that just bad, rather than 8220 o bad it good. 47 Ronin had a lot of the right ingredients, including a nonsense plot and Rinko Kikuchi as a demon lady who ate sashimi with her hair in a lesbian seduction scene. But it never climbs out of the Unfunny Valley. It like watching someone get hit with a pie: possibly hilarious, or possibly just kind of boring and sad. Possibly depending on the type of pie, like cr
