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Norwegian director Stian Kristiansen s debut, The Man Who Loved Yngve, won the NDR-Prize for best feature at the Nordic Film Days in L眉beck, Germany. The event is the festival circuit s largest showcase for Nordic and Baltic films.Kristiansen and his lead actors, Rolf Kristian Larsen and Ole Christoffer Ertvag, received the award and a $20,400 Euros16,000 cheque at Lubeck s City Theatre.The Audience Prize also went to Norway, to Nils Gaup s The Kautokeino Rebellion, while Danish director Pernille Fischer Christensen landed the Baltic Film Prize for Dancers.The Interfilm Church Prize was won by Swedish director Jens Jonsson s The King of Ping Pong, and Swedish director Kine Boman s Herdswoman left with the Documentary Prize.Danish director Natasha Arthy s Fighter was named Best Film for Children and Yong Audiences, while the Children s Jury preferred Norwegian director Arne Lindtner Naess SOS Summer of Suspense.Three local producti
stanley cup ons each received $25,500 Eu20,000 in the North Germa
stanley cup n Film Prizes section. They included Leander Haussmann s Robert Zimmermann wundert sich uber die Liebe best feature , Ozgur Yildirim s Chiko best screenplay and Beatrix Schwehm s Luise - Eine deutsche Muslima best documentary .German director Hark Bohm was honoured with a special achievement award.TopicsAfricaEuropeMiddle East No comments
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Director: Zhao Liang, France-Finland-Switzerland. 2015. 90 mins.Vast swathes of once-pristine Mongolian prairieland have, in the last couple of decades, become scarred and brutalised by open-cast coal min
stanley canada es, iron foundries and generating stations, with thousands of desperate Chinese migrant workers brought in to feed the insatiable demand for disposable, low-paid manpower to keep them operating. Thats the background to Zhao Liangs remarkable, powerful film Behemoth Beixi moshuo , a sort of dream documen
stanley cup tary set in this ravaged landscape but liberally inspired by Dante.Behemoth achieves much of its authority from the way the images comment wordlessly on a world in which humans are reduced to the status of servants of a vast, unfeeling industrial systemDrawing as much on music and long-form poetry as cinema, Behemoth works like a symphony as it takes us from the surviving pastoral enclaves of rural Mongolia to the hellish noise, dust and smoke of the mines, factories and iron foundries. But it also has a more incisive political message for audiences in the developed world, illustrating as it does the environmental and human cost of the Made-in-China economic miracle that we all benefit from. Producer Arte France will give Zhaos film a broadcast premiere on 19 November, but this
stanley germany should not prevent subsequent theatrical bookings for a crisply-shot, aurally textured documentary that fully deserves to be seen on a big screen.Theres little contextualisation aside from a couple of t
