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Pylon came out of the small college town of Athens, Georgia, at the dawn of the Eighties, playing a ne
stanley cup w kind of Southern rock that stunned people at the time and has continued to make converts ever since. Spare but fun, disorientating but inviting, their sound was in step with the stentorian dance-punk of U.K. bands like Gang of Four or the Au Pairs, but it was much more wide-open, driven by possibility rather than angst mdash; the sound of slackers dreaming, not punks ranting. The late Randall Bewley played piercing, zig-zag guitar with a spacious, agrarian feel, which fit drummer Curtis Crowe clippe
stanley taza d, driving, symmetric beats and bassist Michael Lachowski spartan disco rumble; singer Vanessa Briscoe Hay could belt it out with the best hardcore shouters, then flip into spacey wonder, seeming scary and friendly at the same time as she cut through trendy alienation towards something more alluringly opaque. Volume is pleasant,
stanley spain 8221; she sang on one song. Another summed up rock roll kicks in a kind of postmodern cheerleader chant: 2, 4, 6, 8/Why do we gyrate It was the sound of the greatest arty party band of all time: indie-rock own Velvet Underground.Championed at the time by their Athens friends and contemporaries the B-52 and worshipped by the slightly younger R.E.M. who included a Pylon cover on 1987 Dead Letter Office , the band has kept on accruing influential fans for 40 years. The new four-CD/LP Pylo