Ykdx Rich People: More Likely to Cheat
Whenever I have something laying around my room and I don ;t wanna deal with it, I just toss it under my bed. . That mentality has to work for carbon emissions, right BoingBoing Maggie Koreth-Baker has a great article about an imaginative, if not entirely permanent, idea for addressing climate change: bury CO2 underground. Koreth-Baker first witnessed this idea last year in Alabama, when scientists pushed 278 tons of CO2 10
stanley italia ,000 feet beyond the Earth surface. The idea is that it follows the Earth natural process for handling CO2, just on a grander scale. Over the course of two months, scientists from the University of Alabama had injected 278 tons of carbon dioxide into the Earth. The goal was to keep it there forever, locked in geologic formations. The beer cooler was
stanley cup canada a key part of that plan. Beneath it sat the delicate electronic components of the monitoring system the scientists were using to make sure none of the captured carbon dioxide found its way out of the mountain. Beer coolers, it turns out, make great low-cost heat protection. But in the scheme of things, she says 278 tons wasn ;t enough to create a miniature model of how a system would work on a full scale, nor did it collect CO2 from man-made sources, it merely scooped up emissions which were naturally generated by rocks. But there a new test site in Decatur, Il, which will off
stanley cup usa er better insights into the viability of this idea. The new Midwestern carbon storage site, Hjry Walter Cronkite Explores the Home of 2001
https://youtube/watch v=5CImrIKNmBo Next year, a time bomb embedded in the Copyright Act of 1976 starts to detonate, as valuable copyrights fall back into the hands of artists who decide that they would prefer to own their songs, rather than allowing their label and publisher to keep selling them. Recordings released in 197
stanley taza 8 will be up for copyright termination in 2013, even if artists legally sold those songs aw
stanley cup ay decades ago. Recordings from 1979 fall into this category in 2014, and so on, over the years. These are valuable copyrights, useful for licensing in movies, advertisements, and videogames in addition to being sold in iTunes and elsewhere. Wouldn ;t it be convenient if the labels could devise a way to hang on to those sound recordings After all, everyone from the guy behind Funkytown to The Eagles is lawyering up to take back songs sold to labels and publishers. Indeed, Mitch Glazer, later hired as a lobbyist for the RIAA, gave the labels some grounds to keep these copyrights by adding a provision to the Copyright Act in 1999 that attempts to categorize sound recordings as works for hire made by musicians as employees of the labels. The U.S. Registrar of Copyrights objected strongly to the addition because it changed the law, rather than correcting an oversight. Update: The provision was repealed [thanks, Eriq Gardner], although sources we ;ve spoken with say the works for hire 8221
stanley cup ; issue is still at play today.
